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I am drawn to this by the amount of light that was used and what kind of light was used |
AESTHETICS- THE QUALITIES THAT COMBINE TO MAKE SOMETHING LOOK THE WAY IT DOES
CAMERA OBSCURA- A BLACKED-OUT CHAMBER WITH A SMALL HOLE THROUGH WHICH LIGHT GETS COMPRESSED. FIRST WRITTEN OBSERVATION WAS BY MO TI IN CHINA, CIRCA 400 BC/BCE
EXPOSURE- THE LENGTH OF TIME LIGHT ENTERS THE CAMERA
OVER EXPOSURE- TOO MUCH LIGHT
UNDEREXPOSURE- NOT ENOUGH LIGHT
FOCAL POINT- THE CENTER OF INTEREST/ACTIVITY
EXPOSURE TRIANGLE-
APERTURE- OPENING INTO THE CAMERA
SHUTTER- MECHANISM THAT ALLOWS LIGHT TO ENTER THE CAMERA FOR PRECISE PERIODS OF TIMES
ISO- THE SENSITIVITY(TO LIGHT) OF THE SENSOR/FILM
APERTURE:
APERTURE & DEPTH OF FIELD
APERTURE IS THE SIZE OF THE OPENING INTO CAMERA, AND THE LARGER THE APERTURE THE SMALLER THE SLIVER OF FOCUS YOU HAVE
EXAMPLES OF A CHANGE IN APERTURE
ISO:
THE SENSITIVITY OF A CAMERA
WHITE BALANCE (WB)
THE TEMPERATURE OF THE LIGHT BEING PHOTOGRAPHED

HISTORY& ARTISTS
JOSEPH NICEPHORE NIEPCE
MADE THE WORLD'S FIRST PHOTOGRAPH IN 1827
 |
VIEW FROM THE WINDOW AT LE GRAS FRANCE 1827 |
THE EXPOSURE TIME WAS APPROX. EIGHT HOURS
FIRST PHOTO OF A PERSON - 1838
BY LOUIS DAGUERRE (DAGUERREOTYPE)
http://mashable.com/2014/11/05/first-photograph-of-a-human/#sisMPxIjigqH
FIRST SELFIE
ROBERT CORNELIUS 1839
AMATEUR CHEMIST AND PHOTOGRAPHY ENTHUSIAST
PHILADELPHIA
MATHEW BRADY
CIVIL PHOTOGRAPHER
1860S
FIRST TIME THE PUBLIC SAW CASUALTIES OF WAR IN THEIR NEWSPAPERS

EADWEARD MUYBRIDGE
1830-1904
ENGLISH
PIONEER IN PHOTOGRAPHING MOTION
CREATED THE ZOOPRAXISCOPE (1879)
"the gallop"
JULIA MARGARET CAMERON
1815-1879
KNOWN FOR SOFT FOCUS QUALITY OF HER IMAGES
WAS PANNED AS NOT SERIOUS ENOUGH AS A PHOTOGRAPHER
ACCEPTED BY PAINTERS MORE THAN PHOTOGRAPHERS
CLOSE CROPPED PORTRAITS ARE INSPIRATION FOR PHOTOGRAPHERS TODAY


EDWARD CURTIS
1868-1952
PHOTOGRAPHER & ETHNOLOGIST
FOCUSED ON AMERICAN WEST & NATIVE AMERICAN PEOPLE


JACOB RIIS
1849-1914
GREW UP IN POVERTY
CONSIDERED TO BE A
FATHER OF PHOTOJOURNALISM
PHOTOGRAPHED THE SLUMS OF NYC TO RAISE AWARENESS OF PLIGHT OF THE POOR


LEWIS HINE
1874-1940
PHOTOGRAPHER & SOCIOLOGIST
USED HIS CAMERA FOR SOCIAL CHANGE AND REFORM
PHOTOGRAPHED MINES, COTTON MILLS,
& FACTORIES TO DOCUMENT WORKING CHILDREN
HIS WORK DIRECTLY LED TO CHILD LABOR LAWS


DOROTHEA LANGE
1895-1965
DOCUMENTARY PHOTOGRAPHER & PHOTO JOURNALIST
BEGAN AS PORTRAITIST
 |
WHITE ANGEL BREADLINE SANFRANCISCO 1933 |
 |
PLEDGE |
DURING THE GREAT DEPRESSION WORK FOR THE FARM SECURITIES ADMINISTRATION TO DOCUMENT THE PLIGHT OF THE POOR & FORGOTTEN
 |
MIGRANT MOTHER 1936 |
DURING WWII DOCUMENTED THE PLIGHT OF JAPANESE CITIZENS WHO WERE FORCED INTO INTERNMENT CAMPS THE PHOTOS WERE NOT SEEN DURING THE WAR
HENRI CARTIER-BRESSON
1908-2004
MASTER OF STREET PHOTOGRAPHY
KNOWN FOR THE DECISIVE MOMENT= THE MOMENT WHEN VISUAL AND PSYCHOLOGICAL ELEMENTS COME TOGETHER IN THE PHOTO


MANUEL ÁLVAREZ BRAVO
1902-2002
PIONEER IN MEXICAN PHOTOGRAPHY
CAPTURED THE HISTORY OF MEXICAN SOCIETY
STREET PHOTO FOLK ART RITUALS



ART THEORY & AESTHETICS
CONTRAST=THE DIFFERENCE BETWEEN LIGHT & DARK
VALUE=THE INTENSITY OF A COLOR
HUE=THE COLOR
TINT=ADDING WHITE TO A HUE
SHADE=ADDING BLACK TO A HUE
RULE OF THIRDS-
A COMPOSITIONAL THEORY WHERE THE MAIN SUBJECT MATTER IS PLACED IN AN INTERSECTING POINT BASED ON A DIVISION OF THIRDS VERTICALLY & HORIZONTALLY
LY
