Wednesday, September 27, 2017

SCAVENGER HUNT

Three
Movement
Music
Soft
New/Old
Reflection
Hot
Shadow
Midnight
Oversized
Cold
Sharp
Electric
Comtemplation
RED

PHOTOGRAPHY WRDS & TRMS

I am drawn to this by the amount of light that was used and what kind of light was used
AESTHETICS- THE QUALITIES THAT COMBINE TO MAKE SOMETHING LOOK THE WAY IT DOES











CAMERA OBSCURA- A BLACKED-OUT CHAMBER WITH A SMALL HOLE THROUGH WHICH LIGHT GETS COMPRESSED. FIRST WRITTEN OBSERVATION WAS BY MO TI IN CHINA, CIRCA 400 BC/BCE









EXPOSURE- THE LENGTH OF TIME LIGHT ENTERS THE CAMERA
OVER EXPOSURE- TOO MUCH LIGHT
UNDEREXPOSURE- NOT ENOUGH LIGHT



FOCAL POINT- THE CENTER OF INTEREST/ACTIVITY



EXPOSURE TRIANGLE-




















APERTURE- OPENING INTO THE CAMERA



SHUTTER- MECHANISM THAT ALLOWS LIGHT TO ENTER THE CAMERA FOR PRECISE PERIODS OF TIMES




ISO- THE SENSITIVITY(TO LIGHT) OF THE SENSOR/FILM





APERTURE:
APERTURE & DEPTH OF FIELD
APERTURE IS THE SIZE OF THE OPENING INTO CAMERA, AND THE LARGER THE APERTURE THE SMALLER THE SLIVER OF FOCUS YOU HAVE


EXAMPLES OF A CHANGE IN APERTURE



ISO:

THE SENSITIVITY OF A CAMERA
WHITE BALANCE (WB)
THE TEMPERATURE OF THE LIGHT BEING PHOTOGRAPHED


HISTORY& ARTISTS
JOSEPH NICEPHORE NIEPCE
MADE THE WORLD'S FIRST PHOTOGRAPH IN 1827
VIEW FROM THE WINDOW AT LE GRAS FRANCE 1827
THE EXPOSURE TIME WAS APPROX. EIGHT HOURS













FIRST PHOTO OF A PERSON - 1838
BY LOUIS DAGUERRE (DAGUERREOTYPE)

http://mashable.com/2014/11/05/first-photograph-of-a-human/#sisMPxIjigqH


FIRST SELFIE
ROBERT CORNELIUS 1839
AMATEUR CHEMIST AND PHOTOGRAPHY ENTHUSIAST
PHILADELPHIA


MATHEW BRADY
CIVIL PHOTOGRAPHER
1860S
FIRST TIME THE PUBLIC SAW CASUALTIES OF WAR IN THEIR NEWSPAPERSImage result for mathew brady civil war

Image result for mathew brady lincoln

EADWEARD MUYBRIDGE
1830-1904
ENGLISH
PIONEER IN PHOTOGRAPHING MOTION
CREATED THE ZOOPRAXISCOPE (1879)
"the gallop"


JULIA MARGARET CAMERON
1815-1879
KNOWN FOR SOFT FOCUS QUALITY OF HER IMAGES
WAS PANNED AS NOT SERIOUS ENOUGH AS A PHOTOGRAPHER
ACCEPTED BY PAINTERS MORE THAN PHOTOGRAPHERS
CLOSE CROPPED PORTRAITS ARE INSPIRATION FOR PHOTOGRAPHERS TODAYImage result for JULIA MARGARET CAMERONImage result for JULIA MARGARET CAMERONImage result for JULIA MARGARET CAMERON

EDWARD CURTIS
1868-1952
PHOTOGRAPHER & ETHNOLOGIST
FOCUSED ON AMERICAN WEST & NATIVE AMERICAN PEOPLE
Image result for EDWARD CURTISImage result for EDWARD CURTISImage result for EDWARD CURTIS

JACOB RIIS
1849-1914
GREW UP IN POVERTY
CONSIDERED TO BE A FATHER OF PHOTOJOURNALISM
PHOTOGRAPHED THE SLUMS OF NYC TO RAISE AWARENESS OF PLIGHT OF THE POORImage result for JACOB RIISImage result for JACOB RIISImage result for JACOB RIIS

LEWIS HINE
1874-1940
PHOTOGRAPHER & SOCIOLOGIST
USED HIS CAMERA FOR SOCIAL CHANGE AND REFORM
PHOTOGRAPHED MINES, COTTON MILLS,
& FACTORIES TO DOCUMENT WORKING CHILDREN
HIS WORK DIRECTLY LED TO CHILD LABOR LAWSImage result for LEWIS HINEImage result for LEWIS HINEImage result for LEWIS HINE

DOROTHEA LANGE
1895-1965
DOCUMENTARY PHOTOGRAPHER & PHOTO JOURNALIST
BEGAN AS PORTRAITIST
Image result for dorothea lange white angel breadline
WHITE ANGEL BREADLINE SANFRANCISCO 1933
Image result for dorothea lange pledge
PLEDGE
DURING THE GREAT DEPRESSION WORK FOR THE FARM SECURITIES ADMINISTRATION TO DOCUMENT THE PLIGHT OF THE POOR & FORGOTTEN
Image result for dorothea lange migrant mother
MIGRANT MOTHER 1936
DURING WWII DOCUMENTED THE PLIGHT OF JAPANESE CITIZENS WHO WERE FORCED INTO INTERNMENT CAMPS THE PHOTOS WERE NOT SEEN DURING THE WAR

HENRI CARTIER-BRESSON
1908-2004
MASTER OF STREET PHOTOGRAPHY
KNOWN FOR THE DECISIVE MOMENT= THE MOMENT WHEN VISUAL AND PSYCHOLOGICAL ELEMENTS COME TOGETHER IN THE PHOTOImage result for HENRI CARTIER-BRESSON DECISIVE MOMENTImage result for HENRI CARTIER-BRESSON pope


MANUEL ÁLVAREZ BRAVO
1902-2002
PIONEER IN MEXICAN PHOTOGRAPHY
CAPTURED THE HISTORY OF MEXICAN SOCIETY
STREET PHOTO FOLK ART RITUALS
Image result for manuel álvarez bravo photographyImage result for manuel álvarez bravo photographyImage result for manuel álvarez bravo photography

ART THEORY & AESTHETICS

CONTRAST=THE DIFFERENCE BETWEEN LIGHT & DARK
VALUE=THE INTENSITY OF A COLOR

HUE=THE COLOR
TINT=ADDING WHITE TO A HUE
SHADE=ADDING BLACK TO A HUE

RULE OF THIRDS-
A COMPOSITIONAL THEORY WHERE THE MAIN SUBJECT MATTER IS PLACED IN AN INTERSECTING POINT BASED ON A DIVISION OF THIRDS VERTICALLY & HORIZONTALLY
LYImage result for rule of thirds